DAY 1
1-4 pm

DIGITAL + ART

  • Multimedia Artists
  • Net art / Generative art 
  • Performances
  • Installation
  • Interactive Architecture
  • Computer Vision
  • Electronics for art
  • Print/Textiles
  • Companies/Association
  • Programming environment
  • Festivals
  • Blogs
  • References
    		•
     
    DAY 1
    4-8 pm

    MAX - Cycling74.com

  • What is Max ?
  • Overview the MAX application 
  • Explanation of commands
  • Objects: Creating Objects 
    in the Patcher Window
  • Tutorials
    		•

    WORKSHOP SAE Bangkok Thailand - 4th October 2008



    Pure Data- http://puredata.info/
    Pure Data (or Pd) is a graphical programming language developed by Miller Puckette in the 1990s for the creation of interactive computer music and multimedia works. Though Puckette is the primary author of the software, Pd is an open source project and has a large developer base working on new extensions to the program.

    VVVV - www.meso.net
    vvvv is a toolkit for real time video synthesis. It is designed to facilitate the handling of large media environments with physical interfaces, real-time motion graphics, audio and video that can interact with many users simultaneously.

    Processing - www.processing.org
    Processing is an open source programming language and environment for people who want to program images, animation, and interactions. It is used by students, artists, designers, researchers, and hobbyists for learning, prototyping, and production. It is created to teach fundamentals of computer programming within a visual context and to serve as a software sketchbook and professional production tool. Processing is an alternative to proprietary software tools in the same domain.

    Ableton - http://www.ableton.com/
    Ableton Live is a professional loop-based software music sequencer for Mac OS and Windows by Ableton. The latest major release of Live, Version 7, was released in November 2007. Unlike other software sequencers, Live is designed around the notion of being as much an instrument for live performances as a tool for composing and arranging.