DAY 1
1-4 pm

DIGITAL + ART

  • Multimedia Artists
  • Net art / Generative art 
  • Performances
  • Installation
  • Interactive Architecture
  • Computer Vision
  • Electronics for art
  • Print/Textiles
  • Companies/Association
  • Programming environment
  • Festivals
  • Blogs
  • References
    		•
     
    DAY 1
    4-8 pm

    MAX - Cycling74.com

  • What is Max ?
  • Overview the MAX application 
  • Explanation of commands
  • Objects: Creating Objects 
    in the Patcher Window
  • Tutorials
    		•

    WORKSHOP SAE Bangkok Thailand - 4th October 2008



    • Chadabe, J. (1997). Electric Sound: The Past and Promise of Electronic Music. Upper Saddle River, New Jersey: Prentice Hall.
    • Jordà, S. (2005). Digital Lutherie: Crafting musical computers for new musics’ performance and improvisation. Ph.D. dissertation, Dept. of Computer Engineering, Universitat Pompeu Fabra, Barcelona.
    • Rowe, R. (1993). Interactive Music Systems: Machine Listening and Composing. Cambridge, MA: The MIT Press.
    • Valli, A. (2004). Notes on Natural Interaction.
    • Wanderley, M. M. & M. Battier, eds. (2000). Trends in Gestural Control of Music (CD-ROM). Paris: Ircam–Centre Pompidou.
    • Winkler, T. (1998). Composing Interactive Music: Techniques and Ideas Using Max. Cambridge, MA: The MIT Press.
    • Battier, M. ed. (1999). Aesthetics of Live Electronic Music. Contemporary Music Review, 18(3).
    • Bischoff, J., Gold, R. & Horton, J. (1978). Music for an interactive Network of Computers. Computer Music Journal, 2(3), 24-29.
    • Blaine, T., & Fels, S. (2003). Collaborative Musical Experiences for Novices. Journal of New Music Research, 32(4), 411-428.
    • Chadabe, J (1984). Interactive Composing: An Overview. Computer Music Journal, 8(1), 22-28. Republished in Curtis Roads, ed., The Music Machine (Cambridge, MA: MIT Press, 1989).
    • Cook, P. R. (2001). Principles for Designing Computer Music Controllers. Proceedings of the 2001 Workshop on New Interfaces for Musical Expression, CHI, 2001. Seattle, WA: electronic proceedings.
    • Cutler, M., Robair, G. & Bean (2000). OuterLimits, Electronic Musician Magazine, August 2000, 49-72.
    • Jordà, S. (2002). Improvising with Computers: A personal Survey (1989-2001). Journal of New Music Research, 31(1), 1-10.
    • Lewis, G. E. (2000). Too Many Notes: Computers, Complexity and Culture in Voyager. Leonardo Music Journal, 10, 33–39.
    • Machover, T., & Chung. J. (1989). Hyperinstruments: Musically Intelligent and Interactive Performance and Creativity Systems. In Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association, 186-187.
    • Metlay, M. (1989). The Man-Machine Interface.
    • Paradiso, J. A. (1997). Electronic Music: New ways to play. IEEE Spectrum, 34(12), 18-30.
    • Pressing, J. (1990). Cybernetic Issues in Interactive Performance Systems. Computer Music Journal, 14(1), 12-25.
    • Puckette, M. & Settel, Z. (1993). Non-obvious roles for electronics in performance enhancement. In Proceedings of the 1993 International Computer Music Conference. San Francisco, CA: International Computer Music Association :134-137.
    • Rowe, R. (2001). Machine Musicianship. Cambridge, MA: The MIT Press.
    • Ryan, J. (1991). Some Remarks on Musical Instrument Design at STEIM. Contemporary Music Review, 6(1), 3-17.
    • Settel, Z. & Lippe, C. (2003). Convolution Brother’s Instrument Design. In Proceedings of the 2003 Conference on New Interfaces for Musical Expression (NIME-03), 197-200. Montreal.
    • Spiegel, L. (1992). An Alternative to a Standard Taxonomy for Electronic and Computer Instruments. Computer Music Journal, 16(3).
    • Tanaka, A. (2000). Musical Performance Practice on Sensor-based Instruments. In M. Wanderley and M. Battier, eds. Trends in Gestural Control of Music. Paris: Ircam - Centre Pompidou.
    • Wanderley, M. M. & Orio, N. (2002). Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI. Computer Music Journal, 26(3), 62-76.
    • Wessel, D. & Wright, M. (2002). Problems and Prospects for Intimate Musical Control of Computers, Computer Music Journal, 26(3), 11-22.
    • Zicarelli, D. (1987). M and Jam Factory. Computer Music Journal, 11(4): 13.